Spring Term 2019

Contemporary Cinema in Germany and Europe
Freie Universität Berlin, FU-BEST Program

Winter Term 2018/2019

Women's Cinema
Freie Universität Berlin, Department of Film Studies

Summer Term 2018

Filmgeschichte Übung (D): "X never, ever marks the spot" - Poetiken des Abenteuerfilms
Freie Universität Berlin, Department of Film Studies

Winter Term 2017/2018

The Presence of Absence: Spuren der Zeit in Orten des Films
Freie Universität Berlin, Department of Film Studies

Summer Term 2017

Cartographic Cinema: Film zwischen Bild, Text und Raum
Freie Universität Berlin, Department of Film Studies

Winter Term 2016/2017

Filmanalyse Übung (D)
Freie Universität Berlin, Department of Film Studies

Summer Term 2016

Director's Cut: David Fincher
Freie Universität Berlin, Department of Film Studies

Winter Term 2015/2016

Filmgeschichte (B) 
Freie Universität Berlin, Department of Film Studies

Spring Term 2015

Teaching Assistant im Modul FM1002 „Film History and Historiography”
Department of Film Studies, University of St Andrews (Scotland)

Fall Term 2014

Teaching Assistant im Modul FM1001 „Key Concepts in Film Studies.”
Department of Film Studies, University of St Andrews (Scotland)

Summer Term 2013

James Bond als filmhistorische Konstante
Freie Universität Berlin, Department of Film Studies

Winter Term 2012/2013

Charlie don’t surf – Der Vietnamkrieg in Film und Fernsehen (co-taught with Tobias Haupts und Matthias Grotkopp)
Freie Universität Berlin, Department of Film Studies

Summer Term 2012

Filmgeschichte Übung (A) (co-taught with Moritz Schumm)
Freie Universität Berlin, Department of Film Studies

Books:

Regina Brückner, Bernhard Groß, Matthias Grotkopp, Eileen Rositzka (eds.) (2019) Im Verwandeln der Zeit: Reflexionen über filmische Bilder. Berlin.

E. Rositzka (2018) Cinematic Corpographies: Re-Mapping the War Film Through the Body. Berlin/Boston.
(Paperback edition published in 2020)

Edited Journals:

Frames Cinema Journal (Co-Editor-in-Chief together with Amber Shields, 2014-2016)

- Framing Animation (Issue 5, November 2014, guest-edited by Bella Honess Roe):
http://framescinemajournal.com/?issue=issue5

- MondoPop: Rethinking Genre Beyond Hollywood (Issue 6, December 2014, guest-edited by Elena Caoduro and Beth Carroll):
http://framescinemajournal.com/?issue=issue6

- Conflicting Images, Contested Realities (Issue 7, June 2015):
http://framescinemajournal.com/?issue=issue7

- Going Viral: The Changing Faces of (Inter)Media Culture (Issue 8, December 2015, guest-edited by William Brown):
http://framescinemajournal.com/?issue=issue8

- Breaking Labels (Issue 9, April 2016):
http://framescinemajournal.com/?issue=issue9

Book Chapters / Articles:

E. Rositzka (2022) "Waiting in Line, Moving in Circles: Spaces of Instability in Christian Petzold's Transit" in: D. Bayrakdar, R. Burgoyne (eds.): Refugees and Migrants in Contemporary Film, Art and Media. Amsterdam. 177-192.

E. Rositzka (2021) "Der ewige Kreis: Mission to Mars und das Abenteuer Weltraum" in: T. Haupts, C. Pischel (eds.): Space Agency - Medien und Poetiken des Weltraums. Bielefeld. 175-188.

E. Rositzka (2020) "Ein Traum vom menschlichen Fortschritt" [translation of the English original by Martin Scorsese], in: K. Herbst-Meßlinger, Rainer Rother (eds.): King Vidor. Berlin. 222-235.

E. Rositzka (2020) "King Vidor, Meister des Stummfilmkinos" [translation of the English original by Kevin Brownlow], in: K. Herbst-Meßlinger, Rainer Rother (eds.): King Vidor. Berlin. 30-65.

E. Rositzka (2019) "'A guided tour with Alfred Hitchcock': Deutung und Bedeutung in North by Northwest," in: A. Werner-Burgmann, M. Becker, M. Bruhn, A. Dorgerloh, L. Feiersinger (eds.): BildFilmRaum. Zwischen den Disziplinen. Weimar. 102-110.

E. Rositzka (2019) "No Light Without Shadow: The Question of Realism in Volker Schlöndorff's The Handmaid's Tale and Hulu's TV Series," in: K. Ritzenhoff, J. Goldie (eds.): The Handmaid's Tale: Teaching Dystopia, Feminism, and Resistance Across Disciplines and Borders. Lanham. 195-205.

E. Rositzka, Christine Lötscher (2019) "Frauen, Sex, Maschinen: Assemblagen des populären Kinos um '68," in: nachdemfilm No. 17 "Feminismus und Film".
https://nachdemfilm.de/index.php/issues/text/frauen-sex-maschinen-assemblagen-des-populaeren-kinos-um-68

E. Rositzka (2018) "Im Anagramm gefangen. Lektüren in und von Rosemary's Baby," in: H. Kappelhoff, C. Lötscher, D. Illger (eds.): Filmische Seitenblicke: Cinepoetische Exkursionen ins Kino von '68. Berlin/Boston. 153-162.

E. Rositzka, J. Trafton (2018) "A Land of Wolves: Sicario and the New Drug War Film," in: Bright Lights Film Journal, February 10, 2018. http://brightlightsfilm.com/land-wolves-sicario-new-drug-war-film/#.WwggUC_5yu4 

E. Rositzka (2016) "Corpographische Koordinaten – »Zero Dark Thirty« und »United 93« zwischen Sehen, Hören und Wissen,” in: H. Barrenechea, M. Finke, M. Schumm (eds.): Periphere Visionen: Wissen an den Rändern von Fotografie und Film. Munich. 113-126.

E. Rositzka (2016) "Floating Signifiers: die Transformation des Kriegsfilm-Genres am Beispiel der Kartografie,“ in: mediaesthetics No. 1 (2016). https://www.mediaesthetics.org/index.php/mae/article/view/45/97

E. Rositzka (2015) "Random Access Mysteries: James Bond and the matter of the unknown woman,” in: L. Funnell (ed.): The Women of James Bond - Critical Perspectives on Feminism and Femininity in the Bond Franchise. London/New York. 148-156.

E. Rositzka, H. Kappelhoff, C. Pogodda, C. Pischel, (2015) "The Green Berets: der Vietnamkriegsfilm als Herausforderung der klassischen Genrepoetik,“ in: T. Morsch (ed.): Genre und Serie. Munich. 75-110.

R. Burgoyne, E. Rositzka (2015) "Goya on his shoulder: Tim Hetherington, Genre Memory, and The Body at Risk,” in: Frames Cinema Journal, No. 7, “Conflicting Images, Contested Realities”.
http://framescinemajournal.com/article/goya-on-his-shoulder-tim-hetherington-genre-memory-and-the-body-at-risk/

E. Rositzka (2015) “CSI: Den Tätern auf der Spur”, in: J. Müller (ed.): Die besten TV-Serien. TASCHENs Auswahl der letzten 25 Jahre. Cologne. 164-171.

E. Rositzka (2014) "We got some flyin’ to do': Kriegstechnologie und fantastische Gadgets,“ in: B. Hars-Tschachotin, K. Jaspers, P. Mänz, R. Rother (eds.): Bigger Than Life: Ken Adam’s Film Design. Berlin. 170-181.

T. Haupts, E. Rositzka (2011) "We recommend: Film “We who have seen war will never stop seeing it”; Neue Bilder zu alten Kriegen,” in: KRAUT Magazin für angewandte Kunst 4/2011. 93-94.


Book Reviews:

E. Rositzka (2020) "Ofer Eliaz, Cinematic Cryptonomies: The Absent Body in Postwar Film”. In: Screen, Vol. 61, Issue 3. 489-492.

E. Rositzka (2020) "Complicating the “Good War”: Tanine Allison, Destructive Sublime: World War II in American Film and Media (New Brunswick, NJ: Rutgers University Press, 2018)”. In: Discourse: Journal for Theoretical Studies in Media and Culture 42.1-2. 244-249.

E. Rositzka (2015) "Review: David LaRocca (ed.) (2014), The Philosophy of War Films, Lexington: University of Kentucky Press. 538 pp.,“ in: Film Philosophy 19 (2015). 152-155.

E. Rositzka (2015) "Review: David Bowie: Critical Perspectives", in: Frames Cinema Journal, No. 8, “Going Viral: The Changing Faces of (Inter)Media Culture”. https://framescinemajournal.com/article/david-bowie-critical-perspectives/